OK, here are the two quick shots. Nor an Otus. The red Leica 50mm APO-Summicron-M ASPH f/2.0 there exist - most likely - only one of. Any lens can do that as the skill lies with YOU, not the lens. I predict that within 5 years there will be almost no benefit to OVF’s. And i can get some decent pictures whit that lens. Sure, as I no longer shoot pro for money. Feel like we know her better than you. Put this lens in the hands of someone who can do magic with it and it will create magic. I had to send it back to SLR Magic as they wanted it back due to issues with it. Deals everywhere… I visit PopFlash.com every single day. You will only notice this with your A7RII when shooting something like this landscape shot. bokeh, color..and keep in mind, this is out of camera as shot at night in my Kitchen, with my nasty Kitchen lights. I feel shooting a lens like a 50 f/2, any version, will make you think about composition more than a Noct as with the Noct your main effect is blowing out anything but your subject. Many may claim there is, or that their 50 can do the same but they really have no clue as you can’t until you use it. This SUMMILUX-M ASPH has the best bokeh of any LEICA lens, and it is LEICA's best 50mm f/1.4 ever, however it is still not as sharp as the LEICA SUMMICRON-M 50mm f/2.Nothing beats a SUMMICRON.. Other lenses get close in some areas, but none get close in color, contrast or micro details and micro contrast. [CDATA[ Some get mad about this lens as I see some saying “My 50 1.4 Nikon can do this”, or “My 50 Lux beats the APO”…this happens with people due to the cost of the lens. In fact, it is optimized for f/2 and I would NEVER shoot this lens at f/8 as that would be a crime. Ever since shooting the $8,000 Leica 50 APO on the Leica M 240 a year and a half ago I have been smitten by this tiny, compact and amazing performing 50mm lens. Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. Will you do a review of some R-lenses on the SL ? Many asked me to do this comparison, so here it is. all adding up at red-dot prices). But in 2015, when Leica released the SL, a mirrorless professional camera with an EVF that many believe to be the finest in use with the 35mm format, new possibilities were opened. As I said, it goes beyond my skill set but I still love the lens. Sure, you can use the 50 APO on the Sony A7s and A7SII and get results up there with using it on a Leica. Using the 50 APO on the Leica SL was a treat. And if I had money to burn, why wouldn’t I buy an Zeiss Otus for half the price or, the Sigma 50 which performs close to the Otus at an even much lower price. B&H PHOTO LINK – (not bookmark able) Can also use my search bar on the right side or links within reviews, anytime. The Dynaudio Heritage Special Speaker Review. Use my worldwide Amazon links HERE! I was only testing here for soft edges, to see if it was an issue on the A7RII with the 50 APO. Thanks, Steve. Amazing lenses, all of them though, far exceeding the capabilities and skills many of us have (being myself a happy owner of some of those beautiful lenses). It renders the scenes beautifully and has that Leica look. If they did not, this site would have been dead 7 years ago. Click it to see how smooth it is, how fantastic the color rendering is, and how it just looks so good, even at ISO 2000 without any noise reduction. Beats the Otus and Art lenses handily. There is today, no 50mm like the 50 APO from Leica. For this I converted to B&W and enhanced contrast more to give a striking look. Because I love camera gear, lenses, and many of you do as well. This lens has the best of everything, and while we do not get the classic slight bokeh swirl of a Summilux at f/1.4 we do get a unique rendering that is very pleasing to the eye. Not always Vincent Van Gogh used to wrote to his art dealer brother Theo to send him special expensive brushes paints and new canvases to experiment with. You can also follow me on Facebook, Twitter, or YouTube. from Leica is a bright portrait-length lens for M-mount rangefinder cameras. I love nice lenses but the difference in performance between this $8000 lens and a $ 2000 dollar lens does not justify the price in my opinion. Today though, all new 50 APO’s sold are perfect, or at least they should be. And if those qualities were all that mattered in a lens, I’d pick it as my main 50. You will never ever see it in portraits or shooting up close at f/2. A single landscape shot taken a wide open doesn’t cut it IMO. Rent one and you will see. With a focal length of 90mm, the aperture 2.8 is sufficient for us in the M system. I shoot only with M lenses and none of the first three bodies ever satisfied me. I shot these roses at a gravesite and added some Vignetting myself for effect. The A7RII shot is a lot less sharp, and the crop is slightly more off centre (not so much more that it would make a difference imo), but still not an edge nor a corner. New E mount and M Mount Ultra Wides from Voigtlander! Only light source is my display. Hi Steve, how about the new summarit 50 2.4? https://www.ebay.com/b/Leica-50mm-Camera-Lenses/3323/bn_55368764 The Sweetest Perfection. Anyway, it’s your own website so I guess you can do whatever you want on it . I agree completely the 50 APO is a wonderful lens and one I’d love to own. But, he thought the idea of an APO 50 … I never had an issue with it but it could get busy in some situations. The only light source was the one behind Debby and the one above her, in my Kitchen. As always, very interesting. Return of a Landmark Lens The Noctilux-M 50 f/1.2 ASPH. Many will prefer cheaper alternatives because all lenses have different characteristics but if you want buttery smooth files, bokeh and micro contrast for days..the 50 APO will get you there. This LEICA SUMMILUX-M 50mm … I’d have to sell of some gear to get it but only if it can be justified for how I shoot/results expected. This lens was designed by Peter Karbe. Its apochromatic designation is a result … This shot was taken at night, in my home. Learn More. Yep..42mp vs 24 may have something to do with it. no, not all cameras should have an EVF today. Then see more of it on the M when I shot some COMICON photos. Get More For Your Trade When you Trade Up to the Q2 Monochrom. You can see the soft corners on the Sony shot, and this is not a fault of the Sony, it is because this is an M lens adapted to be used on a camera it was not made for. Something my Sony RX1000 IV is perfect for. The limited fall-off at the edges even at full aperture in the Modulation Transfer function ensures excellent image sharpness and high contrast. With a lens like this, the 50 APO, that will never happen. Looking at that picture, I think it may not be worth the upgrade unless I really, really shell out and go for the SL (but then I need a new adapter, new set of batteries…. The lens barrel shows only the lightest cosmetic marks. The Leica 50 Summicron f/2 APO Lens Review Part 2 – Leica SL. Too bad I count mount DR on new M9/240 Leica’s. Look at a7rII pictures, they are wider. But that’s not enough to overcome its price tag of over $8000. The 50mm Noctilux-M f/0.95 ASPH remains the fastest lens Leica has made to date. For lens and camera reviews though, I show a multitude of samples which as I said, most enjoy. New Wide-Angle For SL The Leica 28mm f2.0 APO-Summicron-SL ASPH. Take a look below at two landscape style shots that I snapped. As I mentioned I shoot landscapes, I use a tripod and often I’m out in the desert so low light ISO 65000000 wide open shooting is about the furthest thing I’d ever use this lens for, however it seems that lens reviewers universally shoot this lens at wide open in dim light at high ISOs. With your sharing, I will be moving from a Canon DSLR user to a M43 body very soon . I’ll leave it there because arguing about these things doesn’t help the craft progress. What you choose to shoot to show off a lenses attributes is up to you but I think most folk don’t shoot the inside of their homes all day and a mix would possibly show a lenses abilities rather than narrowing the field down to shoot what you perceive its strengths are. Great review and good examples and comparison…thx for the work. The M Summicron f2/50 APO lens is of exceptional quality, and even at f2, it is tack sharp. amzn_assoc_placement = "adunit0"; amzn_assoc_enable_interest_ads = "true"; amzn_assoc_tracking_id = "stehufpho-20"; amzn_assoc_ad_mode = "auto"; amzn_assoc_ad_type = "smart"; amzn_assoc_marketplace = "amazon"; amzn_assoc_region = "US"; amzn_assoc_linkid = "cab093ba2ba61c8afbe2463ad0d3cd6c"; amzn_assoc_emphasize_categories = "172282"; amzn_assoc_fallback_mode = {"type":"search","value":"Digital Camera"}; amzn_assoc_default_category = "All"; 1st Image up top, the 50 APO and SL – MUST click it to see crop. But if I had to pick only one, regardless of price, I’d stick with the Summilux ASPH. Why? The 2nd shot, again, in my home at night! I would love to, just have to wait for the adapter. // Wow Shadowlands Story Quests, Pct Life Cycle, Sams Marine College Placement, Goosebumps Slappy Episode, Crunchy Data Jobs, Marshall Vs Buffalo Prediction, Farm For Sale Heflin Alabama,